- Filmmakers want to avoid traditional voice-over, like "voice-of-God" style
Problems it can solve:
- Getting the film started
- "The audience needs more information on a participant's thoughts, feelings, choices" pg. 493
- Simplifying complicated story lines
"Viewers are apt to assume that a narrator's voice is the voice of the film itself" pg. 493
narration is useful in short films to save time on displaying the information visually
Documentary may
- "Use a characters voice-over as narration because he or she has insider knowledge and a right to an opinion" pg. 494
Method 1: Read from a script
- Useful if based on letters/diary
- Faults: literary writing. Ambiguous representation of who is narrator/author
Method 2: Improvisation
- Participant as narrator
- Use own voice to sound spontaneous
Bad narration
- Ready-made phrases and cliches
- Syntax of writing
- Jargon or impressive language
- Too much information
- Describing what's already evident
- Condescending humour
Good narration
- "Active language" of speech
- Simplest vocabulary
- Least amount of syllables
- Balances and powerful to listen to
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