Thursday, 5 May 2016

DVD Cover Edits

Maddie had previously began working on the DVD covers in class today.

I also created my own variants of these covers, in a style that had a higher contrast, connoting the gritty tone of the documentary:


The photo we had chosen to use was taken in landscape, therefore it didn't fit properly when placed onto the portrait template. I tried to mask this by using a gradient layer, however this looks very amateur.


I then re-edited the image so that the skateboard was in the centre of the image, making it the focal point. Instead of using a gradient layer, I copied the original image and blended it to the bottom so that it appeared to be longer.


For the title I took inspiration from All This Mayhem's cover, by placing the text on the right hand side of the image. I also used the same from that we used for the title in the video, to keep consistent. To make the cover look more realistic, I added the DVD video logo and an age rating. I think our film would be rated 12 since there are discussions related to drugs, which are inappropriate for younger audiences. Other than that there is not violence or nudity, so it doesn't need to be specifically targeted at an older audience.


Final Workshop




We showed John our new timeline with how we've edited the video so far. He said that it makes a lot more sense now than it did before and approved of the way we've tied in Sam's interview. The only critic he had was that the interview with the son and dad that we filmed on the South bank was a bit disjointed. If we were to include it, we'd have to include some more of what they said, or we should just get rid of it altogether. We decided on the latter, as this would give more of a focus on the skaters' own perspectives.


From there we just worked on filling all the gaps in terms of cutaway footage. The opening of the documentary features footage of Sam skateboarding on his own, as he talks about being an introvert and how skateboarding is an isolated sport. I think that the shots we used work well as they build tension, and give the audience an insight to the skater's life.

After removing the part with the son and the dad, Sam then goes straight into talking about he got into drugs. This is accompanied by visuals of skaters hanging around in large groups. These observational shots create a sense of mystery, because you can't really see what they're doing. From our research, it seems like a lot of people outside the skating world "the other", believe that skaters just hang around do drugs all day. Therefore by pairing these visuals with Sam's talk about drugs, it plays up to the stereotypical beliefs that people have of skaters.



I think that this shot might need to be changed because it's a bit busy and you can't really tell what you're supposed to be looking at. Instead we could have a similar shot, that was framed more accurately, perhaps just from behind the bushes.


We also used visuals of people spray painting as this is strongly linked to skateboarding and it's antisocial aspects. This relates to what Sam says, that doing drugs stopped him from doing what society wanted him to do, because in most places graffiti is illegal vandalism, and considered rebellious against society. The shot denoted above is too dark and should be changed for one with more exposure.

We then move on to another skater's perspective, (also named Sam) who talks about doing drugs at the skate park. This is accompanied by shots of other skateboarders at The Level.


Although this is a somewhat interesting shot because it shows a skateboarder performing cool trick, it doesn't relate much to what Sam 2 is saying. He says: "it's like a community or social centre where you're not being monitored by anyone, you have the freedom to do whatever you want". I think it would look much better if we had a wide-mid shot of skateboarders sitting in a group.
Sam GP then talks about being in a place with people the same age as you, and you get accepted into a small group. We didn't have any relevant or interesting shots to put here, but I think it would be great to get a close up shot of the skateboarders, showing their perspective.


As we draw to the conclusion of the documentary, Sam 1 talks about how other people have negative views towards skateboarders, but within the community it's all positive. We have a shot with the Go Pro, however I think that it lasts a bit too long (4:49-5:23 - about 30 seconds). Ideally I'd like to have another shot at the beginning, I think we have a shot that was filmed in an observational style behind the gates. Then we can cut the Go Pro shot down to about 10-15 seconds.


Our final shot is then related back to our main character with a close up shot of Sam's face, with a cheeky grin. I think that this shot, especially with the white background, and as Sam says "what doesn't kill you makes you stronger... it's kind of a metaphor for life" makes him seem like an omniscient representative for skateboarders.


This shot will then be used to show the credits, on the left hand side.

Overall, I think that we've got the most part of the visual editing done. I just think there's about 3-5 shots that could be replaced, or re-filmed.

Inspiration for alternative shots, from Levi's Skateboarding Youtube channel:


A shot like this could be used when Sam 2 talks about how skaters aren't being monitored by anyone else. This makes it appear like it's just the skateboarders on their own, and how they form their own small community.


I think that we already filmed a shot similar to this, which gives an outside perspective to the skateboarding community.


In contrast, this shot is much closer to the skateboarders, and you can see how they interact with each other. I think that our film is currently lacking something like this.

DVD Cover Research

All This Mayhem

1. DVD cover
  • Imagery - silhouette style, fills the entire page
  • Matching colour scheme - Main text in yellow and subtext in black
  • Certificate rating bottom left 
  • Lists the producers at the top and what they've previously worked on
  • Reviews from film critics
2. Promotional poster
  • More of a graphic design - gradient background, Tappas brothers edited onto skateboard
  • Colour scheme - grey, white, red
  • Text in spray paint style - connotes skate culture
  • Tag line 'The rise and fall of skateboarding's most notorious brothers"


Hill Street

1. DVD cover
  • Tag line "The history of Irish skating since 1980"
  • List of main cast
  • Title behind skater
  • Image fills the whole page

2. Disc imagery
  • Same image, yet slightly different composition to fit the shape of the disc
  • Distributor 'Wildcard' and link to their social media pages



Cobain: Montage of Heck

  • Imagery fills entire page - black and white
  • Critics reviews
  • DVD video logo
  • Certificate rating
  • Distributor - Universal
  • Director credited on cover


Tuesday, 3 May 2016

Editing Session

Today we had an edit booth booked so that we could concentrate on aiming towards a final edit for our narrative. Peter and I used the shots that I cut from Sam's interview and fit these into the timeline we had of the rest of the documentary.



We've made a lot of cuts to the video, essentially removing the majority of interviews we filmed. The documentary is now revolved around Sam DS. but also with the perspective of Sam GP. In the beginning of the narrative, Sam DS talks about how skateboarding is an isolated sport, and how that relates to his introverted character. 
This then moves on to how many people are unaware of what skaters do in their day to day activities. This transitions to an interview we filmed in London, in which a father and son debate about whether or not there is a surrounding drug culture to skateboarding. After this Sam DS admits that he did start taking drugs because of skateboarding. Sam GP expands on this and relates back to how a lot of kids will miss school to go to the skate park, and how some of them even sell drugs there. At the end of his discussion he states how skateboarding is more beneficial than being negative.
The narrative then follows as both Sams analyse the skaters psyches and their reasoning for being drawn to the skate park. They talk about how a small community is formed.
The documentary ends with Sam DS commentary on how skateboarders are "not part of the norm" but it's still valuable being a skater.

I think that our narrative now flows a lot better than before, as it makes sense having less interviews. We decided to cut most of them out because most of what they said was quite general, rather than being connected to a personal matter. Also by using various subjects in a vox pop style, it was too much like a news report rather than a gripping documentary.

Thursday, 28 April 2016

Workshop 10

In class today, our group reviewed the interview that we recorded with Sam. We cut out the best bits that were most useful to our narrative. A lot of it was quite repetitive so we just used the parts that articulated the message in the best way. 



Pete had also put together an opening sequence with some the shots we filmed. He timed this to slow, hip-hop music.

We also revised the previous outline for the narrative that we had, making amendments to fit with Sam's answers:

Opening
  • Broadly defining skateboarding as a culture
  • The negative aspects of the culture
  • How other people perceive it
Middle
  • How skateboarding forms its own community
  • The personal effects of skate culture
Ending
  • It isn't about yourself as an individual but how one exists as a skater within the wider community

Friday, 22 April 2016

Day 4 Shoot

I used the DSLR camera to take some pictures for the publicity stills that we need to submit for the assessment:


We filmed quite a lot of fill shots of Sam performing actions. We did this from many different view points. This was to make our documentary look more like it's following a narrative, because at the moment it looks quite disjointed with too many cutaways. We filmed shots that would follow on from each other in slow motion.


We filmed Sam from behind as he walked towards the skate bowl. This was to give the audience an insight to his preparation to skateboarding, not just showing off tricks.



We also filmed from the top of the bowl and inside the bowl, so that we'd be able to edit in the match on action style.

We also recorded an interview with Sam. His answers were in depth and he gave his own personal experiences regarding skateboarding. He spoke about how it can be an isolated sport and how this relates to his own introverted personality. Moreover he spoke about his own experiences with getting into drugs because of skateboarding. These answers were perfect for our documentary because they expand on the brief answers we already got from previous interviews, yet in a more personal way.


I also edited a few of the photographs I took. Following the conventions of the skateboarding photography that I researched, I used black and white with high contrast:









Thursday, 21 April 2016

Photography + Videography inspiration

For the assessment we must submit 2 publicity stills and a DVD cover. I wasn't too sure what these publicity shots should look like, therefore I conducted some research into how these usually are.

  • A film still (sometimes called a publicity still or a production still) is a photograph taken on or off the set of a movie or television program during production. These photographs are also taken in formal studio settings and venues of opportunity such as film stars' homes, film debut events, and commercial settings.https://en.wikipedia.org/wiki/Film_still
  • They tell us the mood of the story we can expect to see unfold on screen and particular still images have become iconic in the world of cinema.
    You may have made the best film in the world but without good quality stills and specials* photography [arranged advertising shoots usually done in a studio setup] to support a solid marketing campaign, no one will see it.
    The thing with docs is that you never know exactly how the story’s going to unfold, which characters are going to end up being important. So you probably ought to be taking stills all along the way.

    http://independent-magazine.org/2013/01/hermine-muskat_importance_still_photographer_during_production/

On our next shoot, I will take a camera so that I can take some photographs to use for stills and on the DVD cover. I've looked into skateboarding photography for inspiration:

http://exposemag.ca/ten-years-of-israeli-skate-culture-documented-in-love-child/

Exclusive images from Crimea / Kids Gosha Rubchinskiy
http://www.dazeddigital.com/fashion/article/21524/1/gosha-rubchinskiy-exclusive-images

The New York Times Highlights New York Skate Photographer Allen Ying
http://stupiddope.com/2013/09/17/the-new-york-times-highlights-new-york-skate-photographer-allen-ying/

Levis-Skateboarding-Lookbook-07
http://theurbanathletica.com/featured/skate-freshness-levis-launches-skateboarding-collection

"My favorite memory was just working with the very young kids that just started skateboarding," says photographer Atiba Jefferson, "It just lights up their face, lights up their lives and it's great to see that just a little toy can bring so much happiness when they're surrounded by so much craziness."
http://time.com/4163592/native-american-skateboarding-lakota/

The conventions of these photographs is that most of them are black and white with high contrast, which is a style that I like to use anyway. The images not only show the subjects skateboarding, but their connection to their locations and attachment to their boards. Most of the pictures appear to be candid rather than posed.

I also found these videos from Levi Skateboarding:




This documentary is inspiring because it doesn't have much 'talking heads'. It seems like all the interviews were pre-recorded in a studio. The visuals don't necessarily match everything that the interviewees are talking about but show their environment and activities as a whole.
It not only talks about skateboarding and the tricks that are performed, but talks about the subjects personal experiences in their local area. I think that our documentary needs to have a deeper subject matter like this in order to engage the audience.