Monday, 16 May 2016

Finalising for Assessment

Today we had a long process of finalising our video. We spent a lot of time correcting the issues with the sound.We had to re-edit the sound from Sam Giuseppe's interview. Peter did this by applying the 'Normalise' filter, then Multi-band Compressor in the Voice Over pre-set, then normalised it again so that the volume was clear enough. Finally he added the 'Parametric Equaliser- in the voice enhancer pre-set to make Sam's dialogue stand out against the background noise. After the sound was finished, we synchronised it with the visuals, thus finalising the video.

We then adjusted the DVD cover


As a group we made decisions on how it should look. We decided to use the front cover I created, but just slightly adjusted the text, and the placement of the DVD logos.
Pete chose to use a different image for the back cover, which I agreed looked better. From my research, I saw that a few DVD covers had quotes from the film. I decided that we use the quote "we're not part of the norm" to summarise the film and intrigue the audience about the context. 

I also thought it would be nice to include another image for the disc of the DVD. These were the variations in the design:




Finally we decide on using these two images for our publicity stills:




Sunday, 15 May 2016

Sound Editing

Maddie had worked on the sound design for the documentary. Most of it sounded a lot better than what we had before. Especially the interview we recorded with Sam De Saulles was much clearer. There were a few things that I think still need correcting:

  • Sam's introductory vocals still have quite a fair amount of background noise as we recorded it near a park play area
  • At 00:58 the soundtrack fades back in, which makes it difficult to hear the end of Sam's point. I think this should be changed so that the volume just increases after Sam has made his point as, following the beat of the song, as we had edited a small sequence to match
  • As Sam discusses his introverted personality you can hear the sound of birds chirping. I couldn't tell if this was from the recorded interview or if Maddie added this in as an extra, but either way I don't think it works. I think that if Sam is talking about how it's an isolated sport
  • At 01:40 there is a slight gap where the audio goes quiet. Maybe this could be edited with the sound of wind in that place.
  • There is a point when Sam says "people don't always hear what skaters get up to ... it's quite a discreet sport". At this time you can hear the sound of children playing in the background, which slightly contrasts to what he's saying
  • When Sam talks about how he got into drugs I think it would have a more dramatic effect if there weren't any additional sound effect
  • We could include the use of urban sounds such as cars and sirens, at the point when Sam talks about not wanting to conform to societal norms. This would fit with the cutaway footage we filmed in London
  • The interview with Sam Giuseppe sounds really strange, as if it has been recorded in another room. This is weird because Maddie recorded it on the marantz, therefore it should be clearer. This will need to be re-edited
  • At 3:26 the soundtrack fades in I think it would be more effective if it didn't

Friday, 13 May 2016

Editing Session - Colour Grading

We met up as group today to finalise the editing stages. Pete had previously started working on the colour grading for the video, but wanted to confirm with the rest of us that the style looked sufficient.

Peter started by adding contrast to all of the shots so that they stood out more. He then tried to normalise the colours and make them blend with each other. 


A lot of what we filmed was on different days, in completely different weather, which meant the shots abruptly changed from bright blue skies, to grey hues and white skies. Therefore Peter tried to bring back some of the blue in the sky on the grey days, making the shots appear more vibrant.



The colour grading dramatically improved the quality of our video, making it clearly to see the subjects. I previously thought the shot above should be removed, however the colour correction now makes it look dynamic. 


I also made some final changes to some shots. For example in the shot above I added the 'unsharp mask' filter, to cover the fact that it was slightly out of focus.


Monday, 9 May 2016

Filming Extra Footage

Jessie and I returned to The Level skate park today to film a few extra shots for the documentary. I felt that it was lacking visuals that demonstrate skateboarding communities, therefore our aim was to film the skateboarders as they hang out together.

Overall I think it was quite a successful shoot. When I originally checked the weather, it said that it was going to rain from around 12/1 pm. Therefore we got to the skate park at 11:30 am to try and shoot before it rained. However the weather actually held up all afternoon, giving us more opportunities to film.
It was reasonably empty at the skate park, which meant we weren't able to get any long pan shots. On the other hand, the emptiness worked to our advantage, as it was less intimidating to confront the small groups of skaters. We firstly approached a friendly looking group of skaters who appeared to be in their late twenties/early thirties. A member of the group said that he wasn't comfortable with being filmed and the rest of the group didn't seem up for it either. We then decided to ask another group of boys, who appeared to be teenagers. They said they were fine with being filmed. This worked well as they allowed us to film quite close up, without paying much attention to us. This gave us the observational style we wanted, whilst also showing the skateboarders as a community.
Jessie also filmed some more fill shots of skateboarders performing tricks, as the ones we currently have in the documentary are quite repetitive, due to being filmed at the same angle. Because the skate park was quite empty, and since there was only two of us on shoot, it was easier for us to get closer to the skaters without interfering too much. We were able to get shots closer to the skate bowl, and close up of the ramps.


After we returned from shooting, I placed the new shots we had onto the timeline. I think that they work much better than what we had, as they relate more closely to what the subjects are saying.

I cut all of the shots which I thought were most usable. I was particularly fond of the close up shots framed behind the skaters (which was inspired by the Levi's Skateboarding documentary).


I think this worked quite well as it gave context to the location we were filming in. I placed this as a cutaway when Sam 2 says "I moved late into the town when I was about 10 or 11". By using this shot, this foreshadows the part when he says he gravitated toward the skate park.

This shot was used when Sam mentions how he was drawn to the skate park due to there being lots of people around his age. I also think this shot works well because it demonstrates how they skateboard in a group, progressing from the beginning of the narrative in which Sam 1 claims for it to be quite isolated.

Overall I think by having these new shots, our narrative fits together much more nicely, as is more engaging for the audience.

Thursday, 5 May 2016

DVD Cover Edits

Maddie had previously began working on the DVD covers in class today.

I also created my own variants of these covers, in a style that had a higher contrast, connoting the gritty tone of the documentary:


The photo we had chosen to use was taken in landscape, therefore it didn't fit properly when placed onto the portrait template. I tried to mask this by using a gradient layer, however this looks very amateur.


I then re-edited the image so that the skateboard was in the centre of the image, making it the focal point. Instead of using a gradient layer, I copied the original image and blended it to the bottom so that it appeared to be longer.


For the title I took inspiration from All This Mayhem's cover, by placing the text on the right hand side of the image. I also used the same from that we used for the title in the video, to keep consistent. To make the cover look more realistic, I added the DVD video logo and an age rating. I think our film would be rated 12 since there are discussions related to drugs, which are inappropriate for younger audiences. Other than that there is not violence or nudity, so it doesn't need to be specifically targeted at an older audience.


Final Workshop




We showed John our new timeline with how we've edited the video so far. He said that it makes a lot more sense now than it did before and approved of the way we've tied in Sam's interview. The only critic he had was that the interview with the son and dad that we filmed on the South bank was a bit disjointed. If we were to include it, we'd have to include some more of what they said, or we should just get rid of it altogether. We decided on the latter, as this would give more of a focus on the skaters' own perspectives.


From there we just worked on filling all the gaps in terms of cutaway footage. The opening of the documentary features footage of Sam skateboarding on his own, as he talks about being an introvert and how skateboarding is an isolated sport. I think that the shots we used work well as they build tension, and give the audience an insight to the skater's life.

After removing the part with the son and the dad, Sam then goes straight into talking about he got into drugs. This is accompanied by visuals of skaters hanging around in large groups. These observational shots create a sense of mystery, because you can't really see what they're doing. From our research, it seems like a lot of people outside the skating world "the other", believe that skaters just hang around do drugs all day. Therefore by pairing these visuals with Sam's talk about drugs, it plays up to the stereotypical beliefs that people have of skaters.



I think that this shot might need to be changed because it's a bit busy and you can't really tell what you're supposed to be looking at. Instead we could have a similar shot, that was framed more accurately, perhaps just from behind the bushes.


We also used visuals of people spray painting as this is strongly linked to skateboarding and it's antisocial aspects. This relates to what Sam says, that doing drugs stopped him from doing what society wanted him to do, because in most places graffiti is illegal vandalism, and considered rebellious against society. The shot denoted above is too dark and should be changed for one with more exposure.

We then move on to another skater's perspective, (also named Sam) who talks about doing drugs at the skate park. This is accompanied by shots of other skateboarders at The Level.


Although this is a somewhat interesting shot because it shows a skateboarder performing cool trick, it doesn't relate much to what Sam 2 is saying. He says: "it's like a community or social centre where you're not being monitored by anyone, you have the freedom to do whatever you want". I think it would look much better if we had a wide-mid shot of skateboarders sitting in a group.
Sam GP then talks about being in a place with people the same age as you, and you get accepted into a small group. We didn't have any relevant or interesting shots to put here, but I think it would be great to get a close up shot of the skateboarders, showing their perspective.


As we draw to the conclusion of the documentary, Sam 1 talks about how other people have negative views towards skateboarders, but within the community it's all positive. We have a shot with the Go Pro, however I think that it lasts a bit too long (4:49-5:23 - about 30 seconds). Ideally I'd like to have another shot at the beginning, I think we have a shot that was filmed in an observational style behind the gates. Then we can cut the Go Pro shot down to about 10-15 seconds.


Our final shot is then related back to our main character with a close up shot of Sam's face, with a cheeky grin. I think that this shot, especially with the white background, and as Sam says "what doesn't kill you makes you stronger... it's kind of a metaphor for life" makes him seem like an omniscient representative for skateboarders.


This shot will then be used to show the credits, on the left hand side.

Overall, I think that we've got the most part of the visual editing done. I just think there's about 3-5 shots that could be replaced, or re-filmed.

Inspiration for alternative shots, from Levi's Skateboarding Youtube channel:


A shot like this could be used when Sam 2 talks about how skaters aren't being monitored by anyone else. This makes it appear like it's just the skateboarders on their own, and how they form their own small community.


I think that we already filmed a shot similar to this, which gives an outside perspective to the skateboarding community.


In contrast, this shot is much closer to the skateboarders, and you can see how they interact with each other. I think that our film is currently lacking something like this.

DVD Cover Research

All This Mayhem

1. DVD cover
  • Imagery - silhouette style, fills the entire page
  • Matching colour scheme - Main text in yellow and subtext in black
  • Certificate rating bottom left 
  • Lists the producers at the top and what they've previously worked on
  • Reviews from film critics
2. Promotional poster
  • More of a graphic design - gradient background, Tappas brothers edited onto skateboard
  • Colour scheme - grey, white, red
  • Text in spray paint style - connotes skate culture
  • Tag line 'The rise and fall of skateboarding's most notorious brothers"


Hill Street

1. DVD cover
  • Tag line "The history of Irish skating since 1980"
  • List of main cast
  • Title behind skater
  • Image fills the whole page

2. Disc imagery
  • Same image, yet slightly different composition to fit the shape of the disc
  • Distributor 'Wildcard' and link to their social media pages



Cobain: Montage of Heck

  • Imagery fills entire page - black and white
  • Critics reviews
  • DVD video logo
  • Certificate rating
  • Distributor - Universal
  • Director credited on cover